How to Choose the Best Email Template Tools for Photographers

Reading Time: 6 minutes

As a professional photographer who understands the importance of clear client communication, you may already use a few email templates.

You know the kind: ‘Thanks for getting in touch. I’d be delighted to arrange a chat at a mutually convenient time.’ Or how about: ‘The big day is getting closer! So I thought it would be helpful to confirm a few details.’

But you could feel limited by your current system. Perhaps your set-up is sounding a little too much like a robot stuck in a Groundhog Day of stilted, formulaic replies?

Or maybe you don’t use any templates and spend increasing amounts of time churning out individual emails to clients, saying more or less the same thing?

Here we’re going to explore some of the email template tools available to photographers. And how the very best can deliver a highly personalised, automated and slick experience for both you and your clients.

Continue reading “How to Choose the Best Email Template Tools for Photographers”

Should You Include A Price List on Your Website? A Guide to How to Decide

Reading Time: 5 minutes

To share or not to share. That is the question. Deciding whether to include a full price list on your website has been a long-standing conundrum for photographers.

Visit some of your fellow photographers’ websites and you’ll see some take the transparent route: they dedicate a page to detailing precise prices for specific services.

Others keep their charging cards closer to their chest: they simply share a ‘starting from’ price and invite prospects to get in touch for a bespoke quote.

But which approach, if either, is right? And which one will best suit your photography business? In this article, we explore the pros and cons which fuel this controversial decision, and share some ideas about how you can experiment to find the perfect solution for your business.

Continue reading “Should You Include A Price List on Your Website? A Guide to How to Decide”

Using Psychographics to Build Your Photography Business

Reading Time: 7 minutes

Hear the word ‘psychographics’ and what immediately springs to mind?

A terrifying shadow slowly creeping across a shower curtain? The crazy swirly pattern on Austin Powers’ wallpaper?

Nope, this has nothing to do with movies, horror or otherwise. And everything to do with getting scarily high numbers of enquiries to your photography business.

Welcome to the world of psychographics and how they can help you understand what really makes your target clients tick.

Continue reading “Using Psychographics to Build Your Photography Business”

Recycling your marketing spend by using a referral network

Reading Time: 7 minutes

Ian spent some time chatting with Michelle Szpak recently for her training hub and community for photographers. Below is a little taster of the topics we covered in our chat.

It’s near impossible to only market to clients on dates that you can fulfil, so how can you cut down on waste from enquiries that you’re unable to work with because of other commitments?

It’s important to take a step back and look at the bigger picture from time to time.

As you go about your day to day work, you’re consciously and unconsciously gathering all sorts of information that can help you to run a more effective business.

I had been running my photography and videography business for the best part of a decade and was fairly good at looking at things like where my enquiries were coming from, what my return on investment from those activities was, average customer spends and so on. 

But there was one piece of information that I hadn’t reviewed which would have made a substantial impact on my marketing.

It was only in a quiet moment during the pandemic lockdown that my curiosity was piqued and I really wish I’d looked at this sooner!

Day to day I recorded all of my enquiries, including those that I couldn’t do, keeping track of where the enquiry came from, the date the client was enquiring about and why the client didn’t proceed with booking – e.g. they told me they’d booked someone else, they ghosted me or the lead went stale, or I was unavailable on their date.

This gave me useful insights into which marketing channels gave me the most enquiries, but also how well they converted and what the average client spend per marketing channel was.

But something I hadn’t explored in any detail was the enquiries that I hadn’t booked because I wasn’t available. 

I’d never given those much more attention than to respond with a standard email listing a few other photographers, wishing them well, noting why I wasn’t booking that enquiry and moving on – a few seconds of my time in total. 

Why bother spending any more time? I’m not going to convert that client.

Well, when I looked at how many of those sorts of enquiries I had, I realised that they made up a substantial percentage of all of the enquiries I got through the year. 

Everybody will market their business in different ways, using a blend of strategies that involve a combination of your time and money in order to generate enquiries. If a substantial percentage of those hard earned enquiries are falling at the first hurdle because you can’t take the booking, then a portion of your marketing efforts are being wasted too.

It’s near impossible to only market to clients on dates that you can fulfil, so how can you cut down on waste from enquiries that you’re unable to work with because of other commitments?

You, times two

One answer would be to engage an associate photographer. Any dates that you weren’t available for could be passed on to an associate, and since you’re keeping the booking in-house you would still be getting some return on your marketing efforts.

Check out this guide on working with associate photographers using Light Blue.

But when is the right time to hire an associate? You’d need to make sure that there’s enough enquiries coming in regularly to sustain that relationship. 

That doesn’t happen overnight, so is there a half way point?

Building a close referral network 

Earlier I mentioned that I handled enquiries that I couldn’t fulfil by blindly recommending the same handful of photographers – I didn’t check if they were available or not, I simply passed on a list and got on with my day.

But what I could (and should) have done was to build a referral network of a small number of photographers with a similar style and price point, and then referred each enquiry to just one of those photographers. If my network and I shared a calendar of our availabilities – not the fine detail of what we were up to, just an indication of who was free/busy on a given date – then I could confidently refer one of my network to the client and say that I knew they had availability.

That wouldn’t have needed to take a great deal more time than my old approach, a quick check of the shared diary and then selecting the right email template is all it would take.

So why bother doing that? I’m still not booking that enquiry.

Referral networks are a reciprocal relationship and while I’m sending my unavailable enquiries to my network, some of my networks enquiries will be coming to me on dates that I can do.

I can record who I passed my unavailable enquiries on to and which members of my network have sent work back my way when I get those new referred enquiries, so I can ensure that my referral relationship is fair and balanced.

Essentially I’m recycling my unavailable enquiries and turning them in to new enquiries from my network.

What about larger referral networks like Facebook groups, forums and organisations?

It’s less likely that you’ll have a direct exchange of referrals from those larger groups, so keeping track of who you passed work on to and who sent work your way would be much harder.

Instead it could be an idea to think of the whole referral group as one source.

That way you’re able to see the balance of how many jobs you’re bringing into the group and how many are coming back to you. If you’re part of several groups then this allows you to understand which groups are providing a fair relationship for you.

Having all your business information in the right place makes the job easy.

As I was going about the daily running of my business, my Light Blue database was quietly amassing a wealth of useful information. When I took the time to step back and see the bigger picture I had all of that information together already, so there was no need to fiddle with spreadsheets or take time collating and merging information.

Light Blue’s powerful querying and reporting tools did all the hard work for me.

The important lesson is to make sure that you’re reviewing this information on a regular basis so that you’ve got the insights to make smarter decisions. 

6 Tips for Branding your photography business

Reading Time: 7 minutes

Brand Identity can seriously improve the success rate of your business efforts across the board, if it’s harnessed correctly.

It’s true, photography itself speaks volumes, but your branding will provide prospective clients with an indication of your price point, the experience you offer… and ultimately whether you are the right fit for them or not!

Having worked at a photography studio & agency for many years before focusing on his own Graphic & Web Design career – London based Graphic and Web designer Jason Miller has a unique perspective, as he’s been able to experience both sides of the process.

Jason has prepared the 6 tips below to help you; whether you’re looking to work with a professional and would like to get the most out of the process, or you’d like advice on making some DIY adjustments.

Tip 1: Perceived value & Positioning

Brand identity can completely change the perceived value of the service you offer.

Is your approach is to offer clients a great deal of personal attention, perhaps spending hours just getting to know each of them?

More hours spent attentively editing each image after a shoot?

MORE hours hosting a viewing session in person? (Or, via video these days!)

If so, what a mistake it could be to create branding that indicates a different approach.

Try to ensure your brand reflects creates the correct expectation; whether that’s for an attentive, high end experience – or no-thrills with unbeatable value – and everything in between. When this aligns correctly, clients will be delighted to have their expectations met; meaning more bookings.

DIY 🛠

If you’re struggling with this, try looking at brands from other industries. Does your brand fit in with other luxury brands? Boutiques? Or value brands?

When hiring a professional 👩‍💻

Try to provide your designer with examples of brands from different industries who are positioned as you would like to be. Be as clear as possible about your goals.

Tip 2: Who are you attracting?

Are YOU your own ideal client? That’s not always the case… A common mistake, especially for small business owners, is to create a brand they really like, when really, they needed to create a brand their ideal clients would really like!

The easiest way to identify this, is to look at the brands your ideal clients have already brought into emotionally. The clothes they wear, the restaurants or coffee shops they visit, all provide strong indications.

DIY 🛠

If clients love your images, but would never ‘wear’ your brand on an item of clothing; you need to change it! Create a brand your clients could proudly wear without feeling uncomfortable.

When hiring a professional 👩‍💻

Ensure the brand identity designer you hire can assist you in identifying and attracting the correct audience; not simply go by your personal preferences.

Tip 3: Personality

A photographer is often hired on the basis of their personality, as much as their work.

Hinting at your style or personality within your brand identity can be a powerful way to attract clients you’re likely to get along with.

However, don’t forget; the about page on your website, story shares on social media, and short behind the scenes videos are all technically part of your collective brand identity. These can be far more effective ways to express your personality than trying to ‘shoe-horn’ weird and wonderful pop-culture references (or dare I say hobbies) into your logo!

Tip 4: Keep it professional

It is 100 times better to have a simple, but professional logo – than a complex one that hasn’t come together properly. In this day and age, that’s the equivalent of bad photoshop.

If your brand looks unprofessional, it will raise alarm bells and prospective clients might assume that it reflects the quality of your work… even if the photography is great!

Keeping it simple can be a great way to do this. Don’t try to create something unique at the expense of creating something uniquely bad!

That said, it’s a skill to create simple, effective design. If you’re not comfortable doing it yourself, try to find a professional that fits your budget. The time (and therefore money) you save hiring them could free you up to focus on other areas of your business.

Tip 5: Don’t detract from your images!

It should go without saying, but overuse of bright, bold colours or patterns that detract from your images, could defeat the whole purpose of branding your photography business.

Try to create elements that compliment and enhance your work, rather than compete with it for attention.

Would you like someone to hire you because they spot a bright splash of their favorite colour across your branding? Or because they spot their new, favorite image – alongside a reassuringly professional logo?

If you just have to use a bright colour – try to employ it as an accent rather than background, especially alongside images.

Tip 6: Reflect your USP

Sometimes we panic when we hear the word USP (Unique Selling Point), because we wonder, how can I offer something unique among 1000s of other photographers?

Well, think of it instead as your Key Selling Point… What is it about your photography, style or personality that clients rave about most?

At times, it’s possible, and appropriate to hint at this within your brand identity – as was the case for this brand I created for Rivka Singer Photography. (Shown below.) She is renowned for creating beautiful, ornate floral backgrounds in her studio images, and so we tastefully decorated her logo in a floral wreath to reflect this key selling point:

Are your images clean and crisp? Do they tend to feature lots of negative space? Or are they ornate and elaborate? If appropriate, try to reflect this in the style of your logo.

About Jason

Jason is a London based Graphic and Web designer who spent many years at a photography studio and agency before starting his own design studio – design being his true passion, having studied it at college. He now loves working with photographers among other business, to help them unlock the power of effective branding and web design. Be sure to check out his page just for photographers here.

www.jmgraphicdesign.com

020 7993 4375

Black Friday 2020

Reading Time: 2 minutes

We’re here to help you get more organised, for less this Black Friday!

⬇️ Check out the special offer below. ⬇️

Bring all of your business admin together into one powerful and easy to use platform.

Work smarter

✓ Everything you need to know about all of your jobs is in one place.
✓ All of your client information and communications are linked together.
✓ Use clever templates for emails and text messages.
✓ Workflows keep you organised so that nothing gets forgotten.
✓ Email and text messages can be scheduled automatically so routine messages get sent at the right time.
✓ Never forget to send an invoice again with our automated payment reminders.

Easier to work with clients

✓ Online contract signing automatically confirms a session when your client signs, plus take a booking fee at the same time.
✓ Questionnaires and forms allow your clients to do your admin for you.
✓ Break large invoices up into manageable instalments using payment schedules.

Here to help you

✓ Light Blue can give you the big picture, which helps with making smarter decisions.
✓ Desktop and mobile apps allow you to work even when offline.
✓ Dedicated support team for easy set up and migration.

➡️ Use BF50 to get 50% off your first 6 months. ⬅️
Buy before end of 30th November 2020
30-day money back guarantee.

Buy Now

Existing customer?

We’re here to help. In case you haven’t heard about it yet, we’ve been offering a cheaper subscription to anyone who’s been affected by the COVID-19 pandemic. Read here for more information.

Measuring the impact of the COVID-19 pandemic on your business

Reading Time: 6 minutes

The coronavirus pandemic is affecting all of us in a variety of ways. We’re a small company and the whole Light Blue team is either currently or previously a professional photographer, so we understand the difficulties that you are going through at the moment.

Being able to measure the impact that the pandemic has had on your business certainly isn’t something that you will want to do, however it is helpful if you are applying for some sort of financial assistance for your business.

This guide walks through how to get the details that could help you.

Using charts to get an overview

The benefit of managing your business with Light Blue is that your data’s all in one place, so the information that you need is already here. So you won’t need to spend ages analysing complicated spreadsheets to get an idea of where you stand.

The charts view is your friend, and here are a few different charts that you could load with a couple of clicks and then present as necessary evidence if required.

Note that I’ve got “cumulative totals” turned on and I’m comparing this year to previous years (feel free to go as far back as you feel is appropriate).

To change the data that your chart is displaying, just tweak the options at the top of the screen.

Income,

Enquiries by enquiry date,

Bookings

Planning ahead

As well as taking a look at how things have changed for your business this year, it could be useful for you to take a look at the road ahead so you can take appropriate action.

Identifying bookings at risk of postponement due to the latest restrictions

The lockdown restrictions and rules keep on changing, and in the UK we’ve recently been told that the current restrictions are likely to be in place for six months.

If you’re taking payments for sessions that haven’t happened yet but are at risk of cancelling, there’s a possibility that you may find ourself in a position whereby you need to return some of what’s been paid. We’re not in a position to offer legal advice so if you’re ever in doubt about what you should be doing with regards to cancellations, we recommend consulting an independent legal professional.

Creating custom reports in Light Blue can help to provide the necessary figures in order to manage the potential financial exposure to cancelations of future bookings. That’s a three step process:

1) Find the right records

Use the query tool to search for all of your shoots that are booked over the next 6 months (for example, you can choose another period if you wish).

2) View the list

Then view the results in the List View and customise that view (Window > Customise List View) to show the information that you’re most interested in.

3) Save a custom report

Finally, save the query and list view settings as a custom report so you can view the most up to date information again in the future with a few clicks.

Forecasting your potential income

Getting a clear picture of when you’re going to receive income is very important and helpful at the best of times, but during this unprecedented period of uncertainty your businesses ability to forecast its income is essential.

No forecasting model is going to be iron clad, but the ability for you to look ahead will allow you to remove some of the guesswork from this situation and help you to make some informed decisions.

We’ve got an in-depth guide on how to use Light Blue’s quoting tools to forecast your income, which you can read here.

Keeping an eye on your fixed outgoings

The money coming in to your business is just one part of the equation and even with a reduction in work you will still encounter a certain amount of fixed costs necessary for keeping the business going.

We’re doing what we can to help reduce those costs for our customers and we know that many other suppliers to the trade are as well.

If you’ve been recording your businesses expenditure within Light Blue then it’s fairly quick to get a picture of the fixed costs that you’ve incurred this year. It may also be helpful to look at the figures for last year in order to establish a trend.

Using the query tool, search for purchases that haven’t been linked to shoots and also haven’t been categorised in a way that indicates that they’re a cost of sales. The advanced options allow you to be more precise in your search.

Then you can customise the list view to show the columns that are most relevant to you, and group the purchases by year so that you can compare this years fixed costs to those of previous years.

Need more help?

We’re always ready and willing to support our customers if they need help with things like this. Send an email to support@lightbluesoftware.com or schedule a free 1:1 call via the help page.

Mapping your customer journey

Reading Time: 6 minutes

What’s the one thing that you would do to make yourself stand out to your clients?

Running a successful photography business relies on delivering a great service to your clients in a timely manner. There’s many steps involved in doing that and it’s important to make sure that you know what your process is, including any special flourishes that help you to give your clients a great experience.

We spoke to Jennifer Sinclair about the journey she takes her clients on, and how Light Blue helps her to do that.

Jennifer is a specialist newborn baby photographer based near Fareham, Hampshire: “I like to provide an amazing newborn photography experience at a special time in peoples lives. I like to get to know clients and understand what they are looking for in a newborn photo session.”

Jennifer is very passionate about her business and invests time into providing her clients with the best photo experience that she can.

Continue reading “Mapping your customer journey”

How to Master Virtual Viewings

Reading Time: 7 minutes

We speak to wedding and portrait specialist Suzanne Black about how to conduct viewings remotely without losing that crucial personal touch.

When it comes to viewing sessions, we’re all familiar with the ideal scenario.

You invite clients to your studio at a mutually convenient time, put the kettle on, pop some biscuits on a stylish plate and spend a few hours together selecting and curating the perfect set of images.

Impressed by the personal service, professional advice and comfortable rapport, they place a decent-sized order and say they’ll be in touch about booking a future shoot.

But what happens if you can’t physically get together? Whether that’s because of the challenges posed by a global pandemic or, in simpler times, just due to geography, there is a solution.

Here established photographer Suzanne shares her insight into conducting virtual viewings, a way of coming together that still keeps it personal.

The Different Viewing Session Options

When your studio is on a farm in the middle of the beautiful Scottish countryside, it’s likely your clients will live many miles away.

This is exactly Suzanne’s challenge. Unless clients are reasonably local or returning to the area on holiday, arranging in-person viewings can prove difficult.

But she’ll always make them happen whenever possible saying: “I’m a massive fan of in-person sales. As an all-round experience, sitting down together and going through the images in person is just the best customer service you can provide. You can easily show them the different options of how those images will work together and chat through ideas.

“Unfortunately, my customer base and location mean that’s not always possible. A lot of my wedding clients will come back to Scotland on holiday and book in a shoot with me, but they don’t then have the time to do an in-person viewing a week later, or they’ve already gone back home by the time the images are ready.”

One option is to send your clients a web gallery. They can browse through the images independently and place their order with minimal collaboration.

But this has various drawbacks. As Suzanne says: “I think you’re doing your customer a disservice by sending them a web gallery. It’s confusing, impersonal, difficult to compare images and less convenient to ask me for advice.

“I’ve experimented a bit with trying to pre-sell images and products through web galleries but I just found that it wasn’t working. The personal connection just isn’t there.”

So now, for any customers who can’t make their way to Suzanne’s stunning but remote studio, she hosts a virtual sales session.

How to Run a Virtual Viewing Session

When it comes to successful virtual viewing sessions for photographers, Suzanne believes that recreating the in-person version as closely as possible is the key.

“I pretty much run it exactly as I would do if a customer came to my studio,” she explains. “Except of course, they’re sat at home and not next to me.”

The first step is to plan a time when there’ll be minimal distractions: children in bed, work put aside and nothing cooking on the hob.

“The aim is to create a completely relaxed environment,” says Suzanne. “That way, everyone can focus on the important job ahead.”

Suzanne preps the session in the same way she would an in-person viewing. So customers will have had the price list in advance, outlining all their options for prints, frames and albums. 

She then sends them a Zoom link to an online meeting which starts with a chat about how the session went and what they’re looking for in terms of images.

“This is the ideal time to reconnect, a bit of a ‘getting to know you again’ exercise to re-establish rapport. After that, I screen share through ProSelect and run the viewing session as I would if they were sitting next to me in the studio.

“We can chat through the images together and discuss options for frames and albums. They’ve proved to be very successful.”

One major benefit to clients being at their home is the chance to see the spaces where they’re planning to place images.

Suzanne expands on this: “Quite often I’ll ask customers to send me a few pictures of wall spaces they have in mind for images. The challenge you have with that is they send you an average picture or they’re not very sure where would be best or they don’t remember to do it.

“During a virtual viewing, I’ll say so we’re thinking about this image as part of a multi-frame and ask where in the house they have in mind. As they’re on their laptop or iPad, they can then ‘take me’ to the wall. 

“I can see the overall style of the room as well as the available space. And I might say, ‘Yes, I really like that but have you thought about an acrylic there as it’s a quite a modern room that you’re in.’ Or if their décor is more traditional, I can suggest that a really nice distressed wooden frame would fit better.

“It’s fun to really get involved in the design process and bounce ideas around. And it results in great customer service that’s uniquely personal.”

How Virtual Viewings Impact on Sales

You may be concerned that a virtual viewing will lead to lower sales than an in-person appointment. But Suzanne has found that’s not the case.

She says: “On average, I sell two to three times more at an in-person viewing session than a web gallery approach. When I started doing virtual sales, I naturally wondered where they would fit in. Will customers spend less or more?

“Generally, I’m pleased to say I’ve found they’re spending the same as if they were sitting beside me. Another plus point of using tech to help bolster sales.”

On the subject of sales, Suzanne advises always being open and transparent about prices. Her customers always get a full price list at the time they first enquire. 

“I don’t believe in hiding prices from people,” she says. “My clients always know what their options are and how much they cost. A viewing session could easily be wasted if you’re not upfront about your prices.

“This is especially useful at virtual viewings as they can easily and discreetly check the price of an album, for example, without having to ask me, which some people may be nervous about doing.

“So they may go into the session thinking they only want a couple of prints but as we go through the process and see how images can work together, they’re comfortable changing their mind as they know how much it will cost.”

Suzanne’s approach proves that when an in-person viewing session simply isn’t possible, the virtual version can still deliver exceptional customer service and sales.

Discover how Light Blue can help manage your viewing session schedules.